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Events for March 24, 2018

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Early Bird Pricing For SIFF 2018

January 1, 2018 - April 13, 2018

Seattle International Film Festival 2018 will be here before you know it. The programming is still being decided, but one thing is for sure: SIFF will still be the largest international film festival in North America. Members can get Early Bird pricing on passes and packages through April 13, so it's wise to buy now if you know you'll be attending screenings this year. (At the very least, it's good to make sure you get a SIFF membership, or renew it.) For Those Who Love A Party The Gala Pack is the way to go if you want to show up for the big parties. Early Bird pricing knocks off 20 bucks, so you can attend all three of the SIFF 2018 Gala film parties for $105. SIFF 2018 Opening Night Gala: May 17 SIFF 2018 Centerpiece Gala: TBA SIFF 2018 Closing Night Gala: June 10 For Those Who Love Surprises Get the Secret Festival Pass. SIFF includes four secret screenings, at 11am on each Sunday during the festival. Secret festival passholders don't know what's to come (or even where to be until they get a special announcement), but the programmers are keen to make it worth the surprise every... Read more »

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2:00 pm

Ko Kirk Yamahira Gallery Talk at Frye Art Museum

March 24, 2018 @ 2:00 pm - 3:00 pm
The Frye Art Museum 704 Terry Avenue
Seattle,WA98104United States
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From The Frye: Join curator Amanda Donnan for a free, informal tour of the current exhibition Ko Kirk Yamahira. No registration is required. For Seattle-based artist Ko Kirk Yamahira, the finished painting is a beginning rather than an end. Painstakingly removing individual threads from the weave of the canvas, Yamahira deconstructs his paintings, turning surface into form. He often disrupts the geometry of the canvas’s hidden support structure as well, cutting out sections of the wooden stretcher bars to create detached segments bound by loose thread. Opening his practice to a form of shared authorship, Yamahira does not prescribe a fixed orientation for these pieces, preferring that they remain free to be reconfigured by others each time they are installed. Each of Yamahira’s individual (untitled) works functions as a facet of a single project that can never be finished, part of what he sees as a continuous, daily process of becoming through undoing. This exhibition, Yamahira’s first solo museum presentation, samples the artist’s recent output—including several pieces made for the occasion—to offer a meditation on duality and the relativity of perception. Several works in the exhibition are obverse pairs, such as two pieces with the same image repeatedly silk-screened in a... Read more »

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