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Events for February 7, 2018

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Early Bird Pricing For SIFF 2018

January 1 - April 13

Seattle International Film Festival 2018 will be here before you know it. The programming is still being decided, but one thing is for sure: SIFF will still be the largest international film festival in North America. Members can get Early Bird pricing on passes and packages through April 13, so it's wise to buy now if you know you'll be attending screenings this year. (At the very least, it's good to make sure you get a SIFF membership, or renew it.) For Those Who Love A Party The Gala Pack is the way to go if you want to show up for the big parties. Early Bird pricing knocks off 20 bucks, so you can attend all three of the SIFF 2018 Gala film parties for $105. SIFF 2018 Opening Night Gala: May 17 SIFF 2018 Centerpiece Gala: TBA SIFF 2018 Closing Night Gala: June 10 For Those Who Love Surprises Get the Secret Festival Pass. SIFF includes four secret screenings, at 11am on each Sunday during the festival. Secret festival passholders don't know what's to come (or even where to be until they get a special announcement), but the programmers are keen to make it worth the surprise every... Read more »

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7:30 pm

Final Week of August Wilson’s “Two Trains Running” at Seattle Rep

February 7 @ 7:30 pm - 10:00 pm
Bagley Wright Theatre 155 Mercer Street
Seattle,WA98109United States
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$16 – $85

This is the final week of Two Trains Running by August Wilson presented by Seattle Repertory Theatre, directed by Juliette Carrillo and produced in association with Arena Stage. Two Trains Running is a powerful, timely tale, not to be missed. From Seattle Rep: There’s a new president in the White House, and racial tensions are on the rise. No, it’s not 2018, it’s 1969. At a critical moment in the civil rights movement, Memphis is forced to consider selling his restaurant to the city of Pittsburgh as urban planning eats away at his beloved neighborhood. Featuring a captivating slice-of-life cast of characters, Two Trains Running is celebrated playwright August Wilson’s portrait of a defining moment in American history. Note: There is explicit language throughout this production.

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